Albums

Organ transcriptions of nineteenth-century operatic and theatrical pages, performed by Arturo Sacchetti. Music by Verdi, Mercadante, and other composers takes on a focused solo-organ sound with ceremonial and lyrical shades. For historical storytelling, ceremonial scenes, and classical montage.

Wind symphonies by Friedrich Beer and Vincenzo Gambaro, performed by Ottetto Italiano. Eight-part ensemble writing gives theatrical themes clarity, lightness, and courtly precision. For period comedy, animation, and elegant eighteenth- and nineteenth-century scenes.

Giacomo Puccini’s Madama Butterfly, recorded with the Sofia Philharmonic Orchestra under Gabriele Bellini. Lyrical vocal scenes, choral episodes, and orchestral support create a delicate image of a tragic Japanese story. For costume drama, romantic film, and intimate theatrical scenes.

Giacomo Puccini’s Tosca, recorded with the Sofia Philharmonic Orchestra under Gabriele Bellini. Arias, ensembles, and tense vocal exchanges are supported by dramatic orchestral writing. For historical drama, theatrical suspense, and operatic scenes.

The second volume of eighteenth-century Neapolitan organ music, performed by Arturo Sacchetti, focuses on sacred works by Italian composers. Toccatas, fugues, offertories, and pastoral pages combine strict contrapuntal lines with restrained ceremony. For sacred scenes, historical film, and contemplative episodes.

Chamber organ works from the eighteenth-century Neapolitan school, performed by Arturo Sacchetti. Sonatas, toccatas, and instrumental pieces by several composers retain clear articulation and a noble period texture. For historical drama, ceremonial episodes, and cultural documentary.

Giovanni Paisiello’s comic opera La Serva Padrona, performed by the Munich Radio Orchestra under Hans Ludwig Hirsch. Arias, recitatives, and duets build a lively character play between Serpina and Uberto. For period comedy, chamber theatre, and staged dialogue.

The second part of Gaetano Donizetti’s Linda di Chamounix continues the story through Paris scenes and the final act. The Orchestra of Eastern Netherlands under Gabriele Bellini supports solo numbers, ensembles, and closing duets with vivid theatrical momentum. For operatic resolution, relationship drama, and costume film.

The first part of Gaetano Donizetti’s Linda di Chamounix, performed by the Orchestra of Eastern Netherlands under Gabriele Bellini. The overture, choruses, arias, recitatives, and duets convey lyrical bel canto and vivid stage action. For costume drama, opera theatre, and character-driven narrative scenes.

The second volume of Mauro Giuliani’s Le Rossiniane, performed by Frédéric Zigante, brings together later Rossini fantasies and brilliant variations for solo guitar. Operatic melody meets precise virtuoso technique and an expressive intimate line. For character portraits, period theatre, and cultural montage.

The first volume of Mauro Giuliani’s Le Rossiniane, performed by Frédéric Zigante, presents virtuoso guitar transformations of Rossini’s operatic themes. Solo guitar gives familiar opera melodies an intimate lightness and theatrical character. For cultural programming, costume film, and elegant period scenes.

An album of Spanish guitar music by Tárrega, Granados, and Moreno Torroba, performed by Edoardo Catemario. Ornamented melodies, tremolo, and dance-shaped phrasing create a vivid intimate image of Spain. For cultural documentary, travel imagery, and elegant period interiors.

Tchaikovsky’s Violin Concerto, Sérénade Mélancolique, and Valse-Scherzo, performed by Vadim Brodsky with the Polish Radio National Symphony Orchestra under Andrzej Straszynski. The solo violin keeps a vivid concertante presence across lyrical and dance-driven pages. For large-scale period drama, concert scenes, and elegant classical montage.

A collection of sacred motets, madrigals, canzonettas, and musical scherzos by Claudio Monteverdi, performed by Accademia Claudio Monteverdi and Hans Ludwig Hirsch. Solo and ensemble voices, violin, and continuo create an intimate image of Italian early Baroque music. For sacred history, costume drama, and chamber theatrical scenes.

Chamber music by eighteenth-century Italian composers active in London, performed by Michel Henry, Roberto Gini, and Diana Petech. Sonatas by Geminiani and Castrucci, harpsichord pieces, and old Scottish tunes sound clear, agile, and elegant. For period drama, cultural documentary, and chamber theatre.

A continuation of the chamber collection by Italian musicians in London, with sonatas by Giuseppe Sammartini, pieces by Geminiani, and Francesco Barsanti’s arrangements of Scottish tunes. Michel Henry, Roberto Gini, and Diana Petech combine measured cantabile lines, dance clarity, and lively Baroque articulation. For historical storytelling, refined montage, and scenes in period interiors.

An album featuring Camille Saint-Saëns’s Violin Concerto No. 3, alongside Havanaise and Introduction et Rondo Capriccioso, performed by Vadim Brodsky, the Polish Radio National Symphony Orchestra, and Andrzej Straszynski. Solo violin against orchestra combines virtuosic brilliance, dramatic breadth, and elegant concert motion. For historical drama, adventure scenes, formal concert moments, and refined screen movement.

An album of chamber works by Giuseppe Martucci and Ottorino Respighi for violin and piano, performed by Pietro Spada, Arturo Bonucci, and Antonio Bacchelli. Violin-piano texture carries melodic clarity, romantic softness, and focused dramatic energy. For historical drama, chamber romance, personal scenes, and elegant transitions.

An album of chamber works by Giuseppe Martucci and Ottorino Respighi for cello and piano, performed by Pietro Spada, Arturo Bonucci, and Antonio Bacchelli. Close cello-piano dialogue combines lyrical depth, restrained drama, and romantic intimacy. For historical drama, romantic scenes, personal moments, and reflective transitions.

An album of Johannes Brahms’s Hungarian Dances for piano four hands, performed by Hector Moreno and Norberto Cepelli. Lively dance phrasing, brisk shared passages, and intimate four-hand piano texture create an elegant period and theatrical character. For costume film, vintage comedy, dance scenes, and refined montage.