Albums

Johann Sebastian Bach’s Suites No. 3 and No. 4 sound radiant and ceremonial, combining expansive overtures, the celebrated Air and lively dance movements. Their orchestral clarity retains a stately, festive character. For ceremonial occasions, period film, courtly action and uplifting montage.

Johann Sebastian Bach’s orchestral suites combine stately overtures, lucid orchestral architecture and refined courtly dances. The contrast of formal introductions and light dance movements creates a noble Baroque character. For period drama, ceremonies, historical montage and formal occasions.

Tomaso Albinoni’s concertos combine lucid chamber textures, lyrical adagios and the focused energy of fast movements. Violin and oboes take the foreground with graceful Baroque expression. For courtly sequences, period action, ceremonies and intimate drama.

Vivaldi’s chamber concertos and sonatas feature agile exchanges between violin, organ, flute and bassoon over a clear continuo foundation. For period action, courtly sequences, refined montage and tranquil landscape imagery.

Two piano cycles by Robert Schumann combine theatrical character play, Romantic lyricism and sharp psychological contrasts. For period drama, character portraits, theatrical action and vintage cinema.

Woodland - These are abstract, cold, thoughtful, intense tracks.

Winter Wonderlights - this is nostalgic, festive, New Year's music.

Weightless Hours - these are relaxed, meditative, cosmic, electronic tracks.

Sunlit Strings - these are soft, positive, kind and bright corporate compositions.

Six sonatas by Franz Joseph Haydn for Prince Nikolaus Esterházy in a 1994 recording. Hans Ludwig Hirsch brings clear classical texture, minuet poise, brisk finales and intimate lyricism. For historical film, costume comedy, courtly scenes, romantic episodes and elegant montage transitions.

Giovanni Paisiello's piano concertos in a 1994 recording. Pietro Spada and Orchestra da Camera di Santa Cecilia combine clear classical texture, agile dialogue between piano and orchestra, lyrical largos and bright rondos. For period drama, costume romance, wedding scenes, social comedy and graceful closing titles.

Playground Sparks - These are mischievous, funny, ironic compositions-background music for a video blog, advertising, and children's events.

Letters Without Words - these are sentimental, soulful, sad musical compositions for a Russian daytime series.

Giovanni Paisiello's piano concertos in a 1994 recording. Pietro Spada and Orchestra da Camera di Santa Cecilia combine clear classical texture, elegant solo piano and light theatrical motion. For historical film, costume comedy, animation, social scenes and romantic episodes.

Giovanni Battista Pergolesi's comic opera in a 1994 recording. Musica Poetica Freiburg under Hans Ludwig Hirsch, bass, soprano and chamber accompaniment combine domestic intrigue, agile recitative and light romantic irony. For historical film, costume comedy, theatre productions, farce and relationship scenes.

Ferdinando Bertoni's opera on the classical myth of Orfeo in a 1994 recording. I Solisti Veneti under Claudio Scimone, solo voices and chorus combine theatrical clarity, mournful lyricism and ceremonial scale. For historical film, mythological drama, classical theatre, farewell scenes and solemn finales.

Echoes Between the Keys - these are touching, emotional, graceful string and piano compositions for your project.

Last Frames - A multi-genre collection of background music for your project.

An album featuring the second part of Domenico Cimarosa’s comic opera Il Matrimonio Segreto, performed by the Orchestra of Eastern Netherlands under Gabriele Bellini. Recitatives, duets, arias, and ensemble numbers convey quick vocal exchanges, romantic misunderstandings, and lively theatrical intrigue. For period comedy, costume film, theatre productions, and romantic scenes.

An album featuring the first part of Domenico Cimarosa’s comic opera Il Matrimonio Segreto, performed by the Orchestra of Eastern Netherlands under Gabriele Bellini. Lively recitatives, arias, duets, and ensemble scenes convey romantic intrigue, quick theatrical dialogue, and light operatic comedy. For period comedy, theatre productions, romantic scenes, and costume film.