Albums

Business Logo Momentum, Part 2 - motivating, inspiring, positive music for presentation and advertising.

Business Logo Momentum, Part 1 - motivating, inspiring, positive corporate music.

Claudia Antonelli presents classical harp repertoire featuring fantasies by Spohr and Saint-Saëns, Fauré’s Impromptu and Britten’s Suite. The solo harp brings together free fantasy forms, a stately overture, a restless toccata and reflective nocturnal passages. For fairy-tale landscapes, ceremonial scenes and restrained moments of unease.

Johann Sebastian Bach’s music is presented in Ferruccio Busoni’s piano transcriptions, performed by Pietro Spada. The chaconne’s variation form and the counterpoint of the preludes and fugues give the album a substantial scale and a concentrated character. For historical documentaries, formal ceremonies and reflective dramatic sequences.

Pietro Spada brings together familiar piano works from different eras, including lyrical miniatures, a virtuoso toccata and theatrical marches. The singing themes of Träumerei and Liebestraum sit alongside Rachmaninoff’s weighty chords and the rhythmic character of de Falla and Prokofiev. For romantic cinema, period narratives and distinctive character entrances.

This continuation of Niccolò Paganini’s Ghiribizzi brings together miniatures Nos. 23–43, performed by Frédéric Zigante. Waltzes, a march and a minuet provide dance and ceremonial touches, while an arietta and an expressive adagietto add a lyrical dimension to the solo guitar. For period vignettes, travel sequences and small festive scenes.

The first twenty-two of Niccolò Paganini’s Ghiribizzi, performed by Frédéric Zigante, offer brief sketches for solo guitar. Waltzes and a corrente sit alongside unhurried miniatures and operatic melodies, including “Là ci darem la mano”. For period comedy, animated stories and intimate romantic scenes.

Jade Dragon Stories - The album is dedicated to the idea of a European person about Chinese music and atmosphere.

Between Life and Silence - this is a dramatic, tragic, brooding soundtrack.

Epic Logo Premieres - It's powerful, aggressive, dramatic, cinematic music.

Soft Focus Logos - light electronic music for the logo, beats, and splash screen.

This continuation of Giovanni Paisiello’s oratorio includes the closing numbers of Part I and Part II, performed by soloists, the Warsaw Sinfonietta and the Warsaw Chamber Opera Chorus under Wojciech Czepiel. Arias, recitatives and choruses address faith, spiritual doubt and the hope of resurrection, concluding with a collective choral statement. For religious narratives, historical cinema and scenes of renewed hope.

The first part of Giovanni Paisiello’s oratorio brings together recitatives, arias, a trio and choral numbers performed by soloists, the Warsaw Sinfonietta and the Warsaw Chamber Opera Chorus under Wojciech Czepiel. Sacred music explores remorse, grief and compassion through vocal and orchestral drama. For historical dramas, religious narratives and scenes of loss.

Frédéric Zigante performs individual guitar pieces by Niccolò Paganini, including a rondoncino, waltzes, marches, andantinos and allegrettos. Dance and march miniatures alternate with calmer lyrical episodes, offering varied characters in a solo setting. For period character entrances, travel scenes and small celebrations.

This third collection of Niccolò Paganini’s guitar music opens with the Grand Sonata in A major, performed by Frédéric Zigante, followed by sonatas, sonatinas and individual pieces. A resolute allegretto, a broad lyrical romance and an andantino with variations give the album a contrasting character. For historical drama, romantic scenes and small theatrical productions.

The second part of Volume 2 includes the closing allegretto of Sonata No. 26 and Niccolò Paganini’s sonatas Nos. 27–37, performed by Frédéric Zigante. Guitar minuets and waltzes are complemented by a short rondoncino and lyrical andantinos, including Andantino Amoroso. For romantic episodes, period celebrations and recollection scenes.

Frédéric Zigante performs Niccolò Paganini’s guitar sonatas Nos. 17–25 and the opening minuet of Sonata No. 26. Minuets, waltzes and allegrettos shape the album’s dance-based character, while andantinos introduce lyrical episodes. For historical portraits, social scenes and light comedy.

The second part of Volume 1 presents Niccolò Paganini’s guitar sonatas Nos. 9–16, performed by Frédéric Zigante. Minuets and waltzes sit alongside andantino, allegretto and perligordino movements, maintaining an intimate scale and a dance-based character. For period romance, small celebrations and recollection scenes.

Frédéric Zigante performs Niccolò Paganini’s first eight guitar sonatas, featuring minuets, waltzes, rondoncinos and short movements at moderate tempos. Dance-based classical music pairs restrained andantino lyricism with the playful character of scherzando. For period interiors, walking scenes and light comedy.

The third volume of Franz Schubert’s sonatas, performed by Massimiliano Damerini, brings together the unfinished F-minor Sonata D 625 and the B-flat-major Sonata D 960. Purposeful fast movements, sustained melodic lines, and light scherzos create a contrasting piano portrait. For personal drama, period journeys, and reflective romantic scenes.