Organ History, German Romanticism

Felix Mendelssohn's "Sonate No. 2, in C Minor, Op. 65: I. Grave" was recorded in 1996 by Arturo Sacchetti. Slow measured motion and solemn organ phrasing suit meditation, period drama and documentary.

Recorded in 1996 by Arturo Sacchetti, Felix Mendelssohn's "Sonate No. 2, in C Minor, Op. 65: II. Adagio" is presented in this collection. Slow measured motion and solemn organ phrasing suit meditation and religious holiday scenes.

The 1996 recording of "Sonate No. 2, in C Minor, Op. 65: III. Allegro maestoso e vivace" by Felix Mendelssohn features Arturo Sacchetti. A firm driving pulse and forceful organ articulation suit royal ceremony and special occasions.

Arturo Sacchetti recorded Felix Mendelssohn's "Sonate No. 2, in C Minor, Op. 65: IV. Fuga - Allegro moderato" in 1996. Clear contrapuntal lines and dramatic organ colour suit human drama, nostalgic drama and religious holiday scenes.

Franz Schubert's "Fuge in E Minor, Op. Posth. 152" was recorded in 1996 by Arturo Sacchetti. Clear contrapuntal lines and mysterious organ colour suit religious holiday scenes and nostalgic drama.

Recorded in 1996 by Arturo Sacchetti, Franz Liszt's "Präludium und Fuge über den Namen BACH" is presented in this collection. Clear contrapuntal lines and mysterious organ colour suit historical tragedy, human drama and military history.

The 1996 recording of "Sanctus, Sanctus Dominus" by Louis Spohr features Arturo Sacchetti. A gently swaying pulse and gentle organ colour suit religious holiday scenes and meditation.

Arturo Sacchetti recorded Robert Schumann's "Vier Skizzen, Op. 58: I. Non mosso e molto marcato" in 1996. A gently swaying pulse and dramatic organ colour suit special occasions and religious holiday scenes.

Robert Schumann's "Vier Skizzen, Op. 58: II. Non mosso e molto marcato" was recorded in 1996 by Arturo Sacchetti. A gently swaying pulse and dramatic organ colour suit special occasions, religious holiday scenes and royal ceremony.

Recorded in 1996 by Arturo Sacchetti, Robert Schumann's "Vier Skizzen, Op. 58: III. Animato" is presented in this collection. A clear rhythmic pulse and lively organ articulation suit religious holiday scenes and special occasions.

The 1996 recording of "Vier Skizzen, Op. 58: IV. Allegretto" by Robert Schumann features Arturo Sacchetti. A gently swaying pulse and graceful organ colour suit aerial views, sky panoramas and religious holiday scenes.

Arturo Sacchetti recorded Carl Czerny's "Erhebung" in 1996. A gently swaying pulse and calm organ colour suit meditation, aerial views and sky panoramas.

Julius Reubke's "Grosse Sonate, Der 94. Psalm: I .Grave" was recorded in 1996 by Arturo Sacchetti. Slow measured motion and solemn organ phrasing suit memorial scenes, human drama and nostalgic drama.

Arturo Sacchetti recorded Julius Reubke's "Grosse Sonate, Der 94. Psalm: II. Larghetto cantabile" in 1996. Slow measured motion and dramatic organ phrasing suit religious holiday scenes, nostalgic drama and vintage cinema.

The 1996 recording of "Grosse Sonate, Der 94. Psalm: III. Allegro con fuoco" by Julius Reubke features Arturo Sacchetti. A firm driving pulse and forceful organ articulation suit historical horror, shock scenes and uncanny drama.

Arturo Sacchetti recorded Julius Reubke's "Grosse Sonate, Der 94. Psalm: IV. Adagio" in 1996. Slow measured motion and dramatic organ phrasing suit uncanny drama and supernatural tension.

Julius Reubke's "Grosse Sonate, Der 94. Psalm: V. Fuga - Allegro" was recorded in 1996 by Arturo Sacchetti. Clear contrapuntal lines and dramatic organ colour suit historical tragedy and human drama.

Recorded in 1996 by Arturo Sacchetti, Johannes Brahms's "Präludium und Fuge in G Minor" is presented in this collection. Clear contrapuntal lines and mysterious organ colour suit historical tragedy, human drama and military history.