Albinoni: Concerti a Cinque, Op. 9, Book I

Tomaso Albinoni's "Concerto No. 1 With Violin: I. Allegro", performed by Concerto Armonico, Peter Szüts in this 2004 recording. Clear solo interplay and steady forward motion suit ceremony, period action or a refined transition.

In this 2004 recording, Concerto Armonico, Peter Szüts performs Tomaso Albinoni's "Concerto No. 1 With Violin: II. Adagio". The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

Concerto Armonico, Peter Szüts performs Tomaso Albinoni's "Concerto No. 1 With Violin: III. Allegro" in a 2004 recording. Clear solo interplay and steady forward motion suit ceremony, period action or a refined transition.

Recorded in 2004, Tomaso Albinoni's "Concerto No. 2 With Oboe: I. Allegro e non presto" is performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

Tomaso Albinoni's "Concerto No. 2 With Oboe: II. Adagio", performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi in this 2004 recording. The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

In this 2004 recording, Concerto Armonico, Alfredo Bernardini, Paolo Grazzi performs Tomaso Albinoni's "Concerto No. 2 With Oboe: III. Allegro". The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

Concerto Armonico, Alfredo Bernardini, Paolo Grazzi performs Tomaso Albinoni's "Concerto No. 3 With Two Oboes: I. Allegro" in a 2004 recording. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

Recorded in 2004, Tomaso Albinoni's "Concerto No. 3 With Two Oboes: II. Adagio" is performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi. The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

Tomaso Albinoni's "Concerto No. 3 With Two Oboes: III. Allegro", performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi in this 2004 recording. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

In this 2004 recording, Concerto Armonico, Peter Szüts performs Tomaso Albinoni's "Concerto No. 4 With Violin: I. Allegro". Clear solo interplay and steady forward motion suit ceremony, period action or a refined transition.

Concerto Armonico, Peter Szüts performs Tomaso Albinoni's "Concerto No. 4 With Violin: II. Adagio" in a 2004 recording. The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

Recorded in 2004, Tomaso Albinoni's "Concerto No. 4 With Violin: III. Allegro" is performed by Concerto Armonico, Peter Szüts. Clear solo interplay and steady forward motion suit ceremony, period action or a refined transition.

Tomaso Albinoni's "Concerto No. 5 With Oboe: I. Allegro", performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi in this 2004 recording. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

In this 2004 recording, Concerto Armonico, Alfredo Bernardini, Paolo Grazzi performs Tomaso Albinoni's "Concerto No. 5 With Oboe: II. Adagio". The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

Concerto Armonico, Alfredo Bernardini, Paolo Grazzi performs Tomaso Albinoni's "Concerto No. 5 With Oboe: III. Allegro" in a 2004 recording. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

Recorded in 2004, Tomaso Albinoni's "Concerto No. 6 With Oboes: I. Allegro" is performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi. The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.

Tomaso Albinoni's "Concerto No. 6 With Oboes: II. Adagio", performed by Concerto Armonico, Alfredo Bernardini, Paolo Grazzi in this 2004 recording. The unhurried melodic line offers a restrained setting for reflection, intimate drama or a quiet period scene.

In this 2004 recording, Concerto Armonico, Alfredo Bernardini, Paolo Grazzi performs Tomaso Albinoni's "Concerto No. 6 With Oboes: III. Allegro". The oboe-led line gives the movement a focused profile for courtly scenes, ceremony or a period transition.