Brahms: Hungarian Dances for Piano Four Hands

Johannes Brahms's "Hungarian Dances For Piano Four Hands: I. Allegro molto", performed by Hector Moreno, Norberto Cepelli in this 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

In this 1996 recording, Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: II. Allegro non assai". Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: III. Allegretto" in a 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Recorded in 1996, Johannes Brahms's "Hungarian Dances For Piano Four Hands: IV. Poco sostenuto" is performed by Hector Moreno, Norberto Cepelli. The measured four-hand piano texture suits a period interior, reflective transition or restrained dramatic scene.

Johannes Brahms's "Hungarian Dances For Piano Four Hands: V. Allegro", performed by Hector Moreno, Norberto Cepelli in this 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

In this 1996 recording, Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: VI. Vivace". The brisk shared piano motion works for lively historical action, vintage comedy or a swift transition.

Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: VII. Allegretto" in a 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Recorded in 1996, Johannes Brahms's "Hungarian Dances For Piano Four Hands: VIII. Presto" is performed by Hector Moreno, Norberto Cepelli. The brisk shared piano motion works for lively historical action, vintage comedy or a swift transition.

Johannes Brahms's "Hungarian Dances For Piano Four Hands: IX. Allegro non troppo", performed by Hector Moreno, Norberto Cepelli in this 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

In this 1996 recording, Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: X. Presto". The brisk shared piano motion works for lively historical action, vintage comedy or a swift transition.

Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: XI. Poco andante" in a 1996 recording. The measured four-hand piano texture suits a period interior, reflective transition or restrained dramatic scene.

Recorded in 1996, Johannes Brahms's "Hungarian Dances For Piano Four Hands: XII. Presto" is performed by Hector Moreno, Norberto Cepelli. The brisk shared piano motion works for lively historical action, vintage comedy or a swift transition.

Johannes Brahms's "Hungarian Dances For Piano Four Hands: XIII. Andantino grazioso", performed by Hector Moreno, Norberto Cepelli in this 1996 recording. The measured four-hand piano texture suits a period interior, reflective transition or restrained dramatic scene.

In this 1996 recording, Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: XIV. Un poco andante". Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: XV. Allegretto grazioso" in a 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Recorded in 1996, Johannes Brahms's "Hungarian Dances For Piano Four Hands: XVI. Con moto" is performed by Hector Moreno, Norberto Cepelli. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Johannes Brahms's "Hungarian Dances For Piano Four Hands: XVII. Andantino", performed by Hector Moreno, Norberto Cepelli in this 1996 recording. The measured four-hand piano texture suits a period interior, reflective transition or restrained dramatic scene.

In this 1996 recording, Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: XVIII. Molto vivace". Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Hector Moreno, Norberto Cepelli perform Johannes Brahms's "Hungarian Dances For Piano Four Hands: XIX. Allegretto" in a 1996 recording. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.

Recorded in 1996, Johannes Brahms's "Hungarian Dances For Piano Four Hands: XX. Poco Allegretto" is performed by Hector Moreno, Norberto Cepelli. Dance-shaped phrasing gives the piece a useful profile for period movement, character scenes or a refined montage.