Respighi & Martucci: Works for Violin and Piano

Giuseppe Martucci's "Sonata For Violin And Piano, in G Minor, Op. 22: I. Allegro appassionato", performed by Pietro Spada, Arturo Bonucci, Antonio Bacchelli in this 1997 recording. The focused violin-piano exchange brings momentum to period action, emotional conflict or a historical transition.

In this 1997 recording, Pietro Spada, Arturo Bonucci, Antonio Bacchelli perform Giuseppe Martucci's "Sonata For Violin And Piano, in G Minor, Op. 22: II. Andante con moto". The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Pietro Spada, Arturo Bonucci, Antonio Bacchelli perform Giuseppe Martucci's "Sonata For Violin And Piano, in G Minor, Op. 22: III. Allegro molto" in a 1997 recording. The focused violin-piano exchange brings momentum to period action, emotional conflict or a historical transition.

Recorded in 1997, Giuseppe Martucci's "Tre Pezzi No. 1, For Violin And Piano, Op. 67: I. Andante con moto" is performed by Pietro Spada, Arturo Bonucci, Antonio Bacchelli. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Giuseppe Martucci's "Tre Pezzi No. 2, For Violin And Piano, Op. 67: II. Allegretto", performed by Pietro Spada, Arturo Bonucci, Antonio Bacchelli in this 1997 recording. The melodic violin-piano dialogue suits a personal scene, historical drama or a restrained transition.

In this 1997 recording, Pietro Spada, Arturo Bonucci, Antonio Bacchelli perform Giuseppe Martucci's "Tre Pezzi No. 3, For Violin And Piano, Op. 67: III. Allegro passionato". The focused violin-piano exchange brings momentum to period action, emotional conflict or a historical transition.

Pietro Spada, Arturo Bonucci, Antonio Bacchelli perform Giuseppe Martucci's "Melodia, For Violin And Piano" in a 1997 recording. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Recorded in 1997, Ottorino Respighi's "Cinque Pezi, For Violin And Piano: Romanza" is performed by Pietro Spada, Arturo Bonucci. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Ottorino Respighi's "Cinque Pezi, For Violin And Piano: Aubade", performed by Pietro Spada, Arturo Bonucci in this 1997 recording. The melodic violin-piano dialogue suits a personal scene, historical drama or a restrained transition.

In this 1997 recording, Pietro Spada, Arturo Bonucci perform Ottorino Respighi's "Cinque Pezi, For Violin And Piano: Madrigale". The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Pietro Spada, Arturo Bonucci perform Ottorino Respighi's "Cinque Pezi, For Violin And Piano: Berceuse" in a 1997 recording. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Recorded in 1997, Ottorino Respighi's "Cinque Pezi, For Violin And Piano: Humoresque" is performed by Pietro Spada, Arturo Bonucci. The melodic violin-piano dialogue suits a personal scene, historical drama or a restrained transition.

Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Berceuse", performed by Pietro Spada, Arturo Bonucci in this 1997 recording. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

In this 1997 recording, Pietro Spada, Arturo Bonucci perform Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Melodia". The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Pietro Spada, Arturo Bonucci perform Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Leggenda" in a 1997 recording. The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.

Recorded in 1997, Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Valse caressante" is performed by Pietro Spada, Arturo Bonucci. The melodic violin-piano dialogue suits a personal scene, historical drama or a restrained transition.

Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Serenata", performed by Pietro Spada, Arturo Bonucci in this 1997 recording. The melodic violin-piano dialogue suits a personal scene, historical drama or a restrained transition.

In this 1997 recording, Pietro Spada, Arturo Bonucci perform Ottorino Respighi's "Sei Pezzi, For Violin And Piano: Aria". The close violin-piano dialogue provides a contained setting for reflection, romance or a period interior.