Italian Musicians in London — Part 2

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Giuseppe Sammartini's “Sonata, in G Major: I. Adagio”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Giuseppe Sammartini's “Sonata, in G Major: II. Allegro assai” features Michel Henry, Roberto Gini, Diana Petech. Quick articulation and active chamber motion suit lively period action and precise theatrical transition.

Giuseppe Sammartini's “Sonata, in G Major: III. Minuet”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. A measured dance pulse and clear chamber articulation suit courtly movement and elegant period interiors.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Giuseppe Sammartini's “Sonata, in E Minor: I. Andante”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Giuseppe Sammartini's “Sonata, in E Minor: II. Allegro” features Michel Henry, Roberto Gini, Diana Petech. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.

Giuseppe Sammartini's “Sonata, in E Minor: III. Tempo di Minuet”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. A measured dance pulse and clear chamber articulation suit courtly movement and elegant period interiors.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Geminiani's “Pièces de Clavecin: Tendrement”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Francesco Barsanti's “Collection of Old Scots Tunes: Thro' the Wood, Laddie” features Michel Henry, Roberto Gini, Diana Petech. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.

Francesco Barsanti's “Collection of Old Scots Tunes: The Birks of Envermay”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Barsanti's “Collection of Old Scots Tunes: The Bonny Earl of Murray”. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.

The 1995 recording of Francesco Barsanti's “Sonata, in A Minor: I. Grave” features Michel Henry, Roberto Gini, Diana Petech. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

Francesco Barsanti's “Sonata, in A Minor: II. Allegro”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Barsanti's “Sonata, in A Minor: III. Grave”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Francesco Barsanti's “Sonata, in A Minor: IV. Allegro” features Michel Henry, Roberto Gini, Diana Petech. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.