Italian Musicians in London — Part 1

Francesco Geminiani's “Sonata, in G Major: I. Adagio 01”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Geminiani's “Sonata, in G Major: II. Allegro 01”. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.

The 1995 recording of Francesco Geminiani's “Sonata, in G Major: III. Largo” features Michel Henry, Roberto Gini, Diana Petech. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

Francesco Geminiani's “Sonata, in G Major: IV. Giga”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. Quick articulation and active chamber motion suit lively period action and precise theatrical transition.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Pietro Castrucci's “Sonata, in G Major: I. Adagio 02”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Pietro Castrucci's “Sonata, in G Major: II. Allegro 02” features Michel Henry, Roberto Gini, Diana Petech. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.

Pietro Castrucci's “Sonata, in G Major: III. Adagio”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Pietro Castrucci's “Sonata, in G Major: IV. Menuet”. A measured dance pulse and clear chamber articulation suit courtly movement and elegant period interiors.

The 1995 recording of Francesco Geminiani's “Pièces de Clavecin: I. Prélude” features Michel Henry, Roberto Gini, Diana Petech. Clear phrasing and a focused classical texture suit cultural programming, period narrative and stage material.

Francesco Geminiani's “Pièces de Clavecin: II. Gayement”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. Quick articulation and active chamber motion suit lively period action and precise theatrical transition.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Geminiani's “Pièces de Clavecin: III. Largo”. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

The 1995 recording of Francesco Geminiani's “Pièces de Clavecin: IV. Vivement” features Michel Henry, Roberto Gini, Diana Petech. Quick articulation and active chamber motion suit lively period action and precise theatrical transition.

Francesco Barsanti's “Collection of Old Scots Tunes: Logan Water”, performed by Michel Henry, Roberto Gini, Diana Petech, was released in 1995. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.

Performed by Michel Henry, Roberto Gini, Diana Petech, this 1995 recording presents Francesco Barsanti's “Collection of Old Scots Tunes: O dear Mother, what shall I do”. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.

The 1995 recording of Francesco Barsanti's “Collection of Old Scots Tunes: Lord Aboyne´s welcome on Cumberland” features Michel Henry, Roberto Gini, Diana Petech. The arranged Scottish melody gives the chamber texture a direct profile for heritage documentary and period settings.