Monteverdi: Ghirlande Sacre, Ghirlande Profane

Claudio Monteverdi's “Mottetto a Voce Sola e Basso Continuo: Exulta filia Sion”, performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, was released in 1994. Solo vocal declamation over continuo suits sacred narrative, historical documentary and chamber performance.

Performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, this 1994 recording presents Claudio Monteverdi's “Mottetto a Voce Sola e Basso Continuo: Ego flos campi”. Solo vocal declamation over continuo suits sacred narrative, historical documentary and chamber performance.

The 1994 recording of Claudio Monteverdi's “Mottetto a Voce Solain dialogo e Basso Continuo: Jubilet tota civitas” features Accademia Claudio Monteverdi, Hans Ludwig Hirsch. Solo vocal declamation over continuo suits sacred narrative, historical documentary and chamber performance.

Claudio Monteverdi's “Mottetto a due Voci e Basso Continuo: O beatae viae”, performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, was released in 1994. Two vocal lines over continuo provide clear devotional dialogue for sacred history and chamber performance.

Performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, this 1994 recording presents Claudio Monteverdi's “Mottetto a due Voci, Violino e Basso Continuo: Fuge, anima mea”. The two vocal parts share the texture with violin and continuo, fitting sacred history and chamber theatre.

The 1994 recording of Claudio Monteverdi's “Madrigale a due Voci e Basso Continuo: Non è di gentil core” features Accademia Claudio Monteverdi, Hans Ludwig Hirsch. Two-voice declamation over continuo gives the madrigal an intimate profile for chamber theatre and historical storytelling.

Claudio Monteverdi's “Madrigale a due Voci e Basso Continuo: O come sei gentile”, performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, was released in 1994. Two-voice declamation over continuo gives the madrigal an intimate profile for chamber theatre and historical storytelling.

Performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, this 1994 recording presents Claudio Monteverdi's “Scherzo Musicale a Voce Sola, Violino e Basso Continuo: Et è pur dunque vero”. Agile solo writing with continuo gives the piece a pointed theatrical character for courtly and chamber settings.

The 1994 recording of Claudio Monteverdi's “Scherzo Musicale a Voce Sola e Basso Continuo: Quel sguardo sdegnosetto” features Accademia Claudio Monteverdi, Hans Ludwig Hirsch. Agile solo writing with continuo gives the piece a pointed theatrical character for courtly and chamber settings.

Claudio Monteverdi's “Canzonetta a Voce Sola e Basso Continuo: Si dolce è il tormento”, performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, was released in 1994. The intimate song form and direct vocal line suit lyrical character work and chamber theatre.

Performed by Accademia Claudio Monteverdi, Hans Ludwig Hirsch, this 1994 recording presents Claudio Monteverdi's “Romanesca a due Voci e Basso Continuo in quattro Parti: Romanesca”. The recurring romanesca pattern supports measured vocal interplay in historical and stage settings.

The 1994 recording of Claudio Monteverdi's “Madrigale a tre Voci, Violino colla parte e Basso Continuo: Su, pastorelli vezzosi” features Accademia Claudio Monteverdi, Hans Ludwig Hirsch. Three vocal lines, violin and continuo create a compact ensemble texture for courtly drama and historical performance.