Spanish Guitar Music

The 1996 recording of Francisco Tarrega's “Capricho Arabe” features Edoardo Catemario. Its ornamented guitar line and flexible phrasing suit intimate travel imagery and cultural documentary.

Francisco Tarrega's “Mazurka en Sol”, performed by Edoardo Catemario, was released in 1996. The compact dance pulse gives the guitar part a poised profile for period interiors and cultured montage.

Performed by Edoardo Catemario, this 1996 recording presents Francisco Tarrega's “Recuerdos de la Alhambra”. A continuous tremolo line sustains the melody, fitting reflective travel imagery and architectural documentary.

The 1996 recording of Enrique Granados's “La Maja de Goya” features Edoardo Catemario. The songlike guitar line suits an intimate portrait, Spanish cultural material and restrained period drama.

Enrique Granados's “Danza No. 5: Andaluza”, performed by Edoardo Catemario, was released in 1996. A defined Spanish dance pulse gives the guitar writing a clear profile for cultural montage and period movement.

Performed by Edoardo Catemario, this 1996 recording presents Enrique Granados's “Danza No. 4: Villanesca”. A defined Spanish dance pulse gives the guitar writing a clear profile for cultural montage and period movement.

The 1996 recording of Federico Moreno Torroba's “Sonatina: I. Allegretto” features Edoardo Catemario. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.

Federico Moreno Torroba's “Sonatina: II. Andante”, performed by Edoardo Catemario, was released in 1996. Measured phrasing and transparent interplay suit reflection, intimate period drama and quiet historical interiors.

Performed by Edoardo Catemario, this 1996 recording presents Federico Moreno Torroba's “Sonatina: III. Allegro”. Articulate forward motion gives the performance a useful profile for purposeful period action and elegant montage.