Paisiello: Nino o sia la pazza per amore — Part 1

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Ouverture, Allegro vivace” features Concentus hungaricus, Hans Ludwig Hirsch. The overture's lively orchestral pulse suits an opening scene in period theatre or film.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 1 - No. 1 - Introduzione” features Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus, Alfonso Antoniozzi, Gloria Banditelli. The overture's lively orchestral pulse suits an opening scene in period theatre or film.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 1 - Recitativo”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Gloria Banditelli, was released in 1996. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 1 - No. 2 - Coro” features Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus. The chorus gives the scene an ensemble scale suited to historical theatre.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 1 & Scene 2 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Gloria Banditelli, Natale De Carolis. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 3 - Recitativo strumentato”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Natale De Carolis, was released in 1996. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 3 - No. 3 - Aria” features Concentus hungaricus, Hans Ludwig Hirsch, Natale De Carolis. The aria gives the solo voice a clear dramatic focus for theatre and period film.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 4 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Natale De Carolis. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 4 - No. 4 - Aria”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, was released in 1996. The aria gives the solo voice a clear dramatic focus for theatre and period film.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 4 & Scene 5 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Gloria Banditelli, Natale De Carolis. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 6 - Recitativo strumentato” features Concentus hungaricus, Hans Ludwig Hirsch, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 6 - No. 5 - Aria”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Jeanne Marie Bima, was released in 1996. The aria gives the solo voice a clear dramatic focus for theatre and period film.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 7 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Gloria Banditelli, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 8 - No. 6 - Coro” features Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus, Jeanne Marie Bima. The chorus gives the scene an ensemble scale suited to historical theatre.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 8 - No. 7 - Canzone”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus, Gloria Banditelli, Jeanne Marie Bima, was released in 1996. The song form foregrounds the vocal line for a self-contained theatrical episode.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 8, Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Gloria Banditelli, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 8 & Scene 9 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Gloria Banditelli, Natale De Carolis, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 9 - No. 8 - Canzone del Pastore”, performed by Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Gloria Banditelli, Jeanne Marie Bima, was released in 1996. The song form foregrounds the vocal line for a self-contained theatrical episode.