Paisiello: Nino o sia la pazza per amore — Part 2

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 9 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Gloria Banditelli, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act I - Scene 9 - No. 9 - Quartetto Finale I” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Gloria Banditelli, Natale De Carolis, Jeanne Marie Bima. The quartet brings multiple vocal lines together for a theatrical ensemble scene.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 1 - Recitativo”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Gloria Banditelli, Natale De Carolis, was released in 1996. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 1 - No. 10 - Aria” features Concentus hungaricus, Hans Ludwig Hirsch, Gloria Banditelli. The aria gives the solo voice a clear dramatic focus for theatre and period film.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 2 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Natale De Carolis. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 3 - No. 11 - Cavatina”, performed by Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, was released in 1996. The cavatina places the sung line in focus for an intimate theatrical moment.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 3 - Recitativo” features Concentus hungaricus, Hans Ludwig Hirsch, Alfonso Antoniozzi, Natale De Carolis. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 4 - No. 12 - Duetto” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Natale De Carolis. The duet centres on two vocal parts, making it apt for a staged exchange.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 4 - Recitativo”, performed by Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Natale De Carolis, was released in 1996. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 5 - No. 13 - Cavatina, recitativo e aria” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 5 - Aria” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi. The aria gives the solo voice a clear dramatic focus for theatre and period film.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 6 - Recitativo”, performed by Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Natale De Carolis, was released in 1996. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 7 - No. 14 - Coro” features Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus, Jeanne Marie Bima. The chorus gives the scene an ensemble scale suited to historical theatre.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 7 - Recitativo 01” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Gloria Banditelli, Natale De Carolis, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 7 - No. 15 Duetto”, performed by Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Jeanne Marie Bima, was released in 1996. The duet centres on two vocal parts, making it apt for a staged exchange.

The 1996 release of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 7 - Recitativo 02” features Concentus hungaricus, Hans Ludwig Hirsch, William Matteuzzi, Jeanne Marie Bima. Speech-like vocal delivery keeps the dramatic exchange direct, useful for staged dialogue and historical drama.

The 1996 recording of Giovanni Paisiello's “Nino o sia la pazza per amore: Act II - Scene 7 - No. 16 - Finale II” features Concentus hungaricus, Hans Ludwig Hirsch, Hungarian Chamber Chorus, Alfonso Antoniozzi, Gloria Banditelli, Natale De Carolis, Jeanne Marie Bima. The ensemble finale offers a clear close for a historical theatre scene.