Harp Festival

Claudia Antonelli's interpretation of Giovanni Battista Viotti's “Sonata, B Major: III. Allegretto vivo” appears on this 1995 release. The Allegretto vivo marking calls for moderately brisk, lively movement for a nature vignette.

“Fantasie, Op. 35” by Louis Spohr is performed by Claudia Antonelli on this 1995 release. The fantasy form offers a free-standing musical scene for a fairy-tale episode.

This 1995 release features Claudia Antonelli's interpretation of “Fantasie, Op. 95” by Camille Saint-Saëns. This single-movement fantasy can provide a compact musical frame for an imagined landscape.

Claudia Antonelli's interpretation of Gabriel Fauré's “Impromptu, Op. 86” appears on this 1995 release. The impromptu's concert-piece format offers a self-contained cue for a ceremonial or fantasy scene.

“Suite, Op. 83: Ouverture” by Benjamin Britten is performed by Claudia Antonelli on this 1995 release. The overture's stately character can frame a ceremonial entrance in a fantasy scene.

This 1995 release features Claudia Antonelli's interpretation of “Suite, Op. 83: Toccata” by Benjamin Britten. The toccata's restless movement offers a concise cue for suspense in a detective scene.

Claudia Antonelli's interpretation of Benjamin Britten's “Suite, Op. 83: Notturno” appears on this 1995 release. The nocturne's atmospheric character can support a restrained scene of unease or recollection.

“Suite, Op. 83: Fugue” by Benjamin Britten is performed by Claudia Antonelli on this 1995 release. The fugue's quick contrapuntal exchanges provide movement for a brief fantasy episode.

This 1995 release features Claudia Antonelli's interpretation of “Suite, Op. 83: Hymne” by Benjamin Britten. Variations on the Welsh hymn tune ‘St Denio’ offer a distinctive melodic reference for a reflective coastal scene.